Perception of isolated chords

It’s felt very restoring to immerse myself fully in music psychology topics this summer. I’m pleased that our┬ápaper on the perception of isolated chords, written jointly with Yuko Arthurs and Renee Timmers, has now been published online by Psychology of Music and is available without subscription through our institutional repository. [pdf]

  • Y. Arthurs, A. V. Beeston, and R. Timmers, “Perception of isolated chords: examining frequency of occurrence, instrumental timbre, acoustic descriptors and musical training,” Psychology of Music, vol. 46, iss. 5, pp. 662-681, 2018. [doi:10.1177/0305735617720834]
    [BibTeX] [paper]
    @article{Arthurs:2017pom,
    author = {Yuko Arthurs and Amy V. Beeston and Renee Timmers},
    title ={Perception of isolated chords: Examining frequency of occurrence, instrumental timbre, acoustic descriptors and musical training},
    journal = {{Psychology of Music}},
    volume = {46},
    number = {5},
    pages = {662-681},
    year = {2018},
    doi = {10.1177/0305735617720834},
    url = {https://doi.org/10.1177/0305735617720834},
    paper = {http://eprints.whiterose.ac.uk/118147/1/Arthurs-et-al-2017.pdf},
    month = Sep
    }